Thursday, September 27, 2007

Passionate Work

Why do actors, writers, directors and others, like dramaturgs, pursue a career in the low-paid, high-pressure world of theatre? The hottie from your freshman orientation can only get you to the intro acting class, but what keeps you slaving in the field is passion for the work, for storytelling that uniquely captures one's imagination. It's that need to create something new every night and to tell stories that are important. Vague? Well, here are two shows in the early stages of development that demonstrate this illogical pursuit:

Thorny Bushes: the Telenovela series at INTAR (HIPSTER FRIENDLY)

What's your guilty escapist pleasure? For many, it is the soap opera, and especially the big-haired, puckered-lipped, muscle-bound telenovelas. INTAR's Playwrights' and Actors' Collectives bring that highly successful melodramatic form to American audiences with Thorny Bushes. In the capable hands of young director Alex Correia, the family saga was read informally as a radio play to a packed D-Lounge audience in August. No word yet on the next episodes, but check INTAR's website for more.

Funeralogues (HIPSTER FRIENDLY)
Another startling, and completely different example, of passion was recently exhibited by improvisor/producer Stacy Mayer in her expanded sketched, Funeralogues. A self-professed funeral lover, Mayer's enthusiasm for the topic and men in uniform make this one-hour tryout fly by. This piece is still in development, but see her My Space page for updates, and also visit Katherine and Friends, who produce the first-look series that featured Funeralogues; they have some cool projects in the works.

Wednesday, September 19, 2007

Just missed these summer shows…

Here are a couple of plays that have recently closed, but they made the dull, hot summer just a little brighter:

Sarah Ruhl’s Eurydice

I love this writer – the way she arranges words on a page always seems to blow my mind. Her plays are smart, well-formed, magical and downright funny. Eurydice, based on the Greek myth, is no exception – even though it’s a tragic tale about a pair of lovers torn apart…twice. This production is a little on-the-nose as far as interpretation and stagecraft goes, but Maria Dizzia in the title role makes it a little more palatable. Visit http://www.2st.com for more details about this production and Sarah Ruhl.

Betty Shamieh’s The Black Eyed

In the past couple of years, I’ve been lucky enough to work with the Arab American Comedy Festival folks and NIBRAS, and I have to admit, that I’m really glad to hear a strong Arab voice on one of New York’s hottest stages. Shamieh’s latest play, The Black Eyed, traps four contemporary and historical Palestinian women in heaven, but the pink waiting room where they contemplate martyrdom and accountability sounds like hell to me. And if it weren’t for solid performances by these emerging actresses, I would have tried to find the exit. See http://nytw.org for more information and for tickets.

Monday, September 17, 2007

Grab your seats!

The new season is well under way, and I'm back to tell you what's worth your $100 bucks a pop and what's not. Got a special request? What are you curious about? Off-Broadway? Broadway? Burlesque? I'm happy to follow check them out for you and offer an opinion before you spend the dough.

I'm looking forward to another exciting theatre season for 2007 and 2008. I'm most excited about In the Heights and Young Frankenstein on Broadway, and off Broadway there's so many great writers popping up, it's almost too much for one person to handle. Let me help you navigate through the hype. Stay tuned for regular updates.